Commitment Day

Twenty-seven years ago today, March 7, 1989, a group of authors and publishers signed a Declaration of Book Preservation, saying “We, the undersigned authors and publishers, hereby declare our commitment to use acid-free paper for all first printings of quality hardcover trade books in order to preserve the printed word and safeguard our cultural heritage for future generations.”

There was a footnote about using acid-free paper “subject to availability,” which wasn’t a dodge. At the time, acid-free papers were not widely available. They are now widespread. The notepad on your desk is almost certainly acid-free, and likely so are the post-its beside it. The paper in your printer is acid-free. The hand towels in the bathrooms here at ReCAP are acid-free, and not just because we’re that focused on preservation (though, let’s face it, we are), but because after 25 years, the paper industry has retooled. Things really changed.

Like many of these stories, there’s a woman whose name you’ve never heard who deserves credit, and there are institutions who put their weight behind her. I think it takes both, every time, to make a difference. A spark and a hearth, a bright idea and a place for it to grow… and also keep it from taking down the whole house, a realistic concern in case, because Ellen McCrady was a dynamo.

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The Destruction of Libraries: Book Reviews

[Written at the request of my alma matter for their project, “Books and Destruction: Honoring Banned Books Week,” during August 2015.]

Libraries and archives are frequent targets in war and conflict. Institutions that support the rule of law, encourage the exploration of ideas and identity, and stand for intellectual freedom are a grace threat to regimes that seek to control all aspects of public and private life.

The number of books that address this topic is, sadly, growing. Rebecca Knuth’s two most recent books, Libricide: The Regime-Sponsored Destruction of Books and Libraries in the Twentieth Century and Burning Books and Leveling Libraries: Extremist Violence and Cultural Destruction, deserve attention for their thorough scholarship and attention to current events. Lost Libraries: The Destruction of Great Book Collections Since Antiquity, an essay collection edited by James Raven, might be read back to back with Lucien Polastron’s Books on Fire: the Destruction of Libraries Throughout History, which is both thoroughly researched and deeply felt. A Universal History of the Destruction of Books by Fernando Báez may deserve a reader’s first attention, though. It is a comprehensive and provocative starting place, for one, but it is also a book that has been widely read in translation, which makes it a particularly fitting introduction to a problem that so often emerges from the fractured relations between nations.

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UCLA Library Cooperative Library Services Talk

On September 18, 2015, I had the pleasure of spending the day at UCLA Library talking about the work we’re engaged in around cooperative print preservation and the ways that a shared service layers that can provide better access to research collections.

I want to thank Sharon Farb and Dawn Aveline, particularly, for putting this event together. It was a real pleasure to work with the team at UCLA Library, and I was very glad that we had librarians from SCELC involved, as well.

The handout from my talk is here, and alludes to the main themes: UCLA Library Handout (94 KB; PDF). I don’t have a full transcript of this talk, yet, but some of the key ideas are captured in a short piece I wrote on “Curatorial Libraries,” posted on Medium for comment, and archived on this site.

Throughout the day, we referred to a number of resources, listed here:

Finally, let me say a word of thanks to the librarians at Princeton and Harvard, who invited me to give earlier versions of this particular talk, and acknowledge all of my colleagues across the ReCAP partnership, whose many years of work on cooperative services is the real proof of the benefits that come from cooperative library services.

Setting the Stage: Creation, Curation, and Use

I had the pleasure of serving as the opening speaker for the 2015 NEDCC Digital Directions conference. This post contains the text of my remarks and the slides from my presentation. Each is intended to be able to stand on its own, so if you want a quick overview, download the slides. If you want to dig in, read on below.

Slides: Self Playing PowerPoint Slideshow (ppsx, 1.7MB)

SETTING THE STAGE: CREATION, CURATION, AND USE

In this essay, I want to do a few things to prepare you for a productive foray into learning about digital preservation. First, we need to cross the divide from analog to digital. From there, we need to think about what it really means to create digital resources, to curate them, and to put them to use. And finally, we need to get ourselves back home, and ready to do good work.

To ensure you are ready for this journey, please look at your shoes…

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Curatorial Libraries

I.

The Rocky Mountain Land Library is on my mind today. It’s a library-in-progress, still in an aspirational phase, but darned if I don’t hope it works. As the New York Times describes it:

Imagine a network of land-study centers stretching from the Headwaters of South Park to the metro-Denver plains. Each site will be united by the common purpose of connecting people to nature and the land, but each site will have something unique to share:

South Park’s Buffalo Peaks Ranch will offer a 32,000+ natural history library, along with residential living quarters for anyone who would like to experience the quiet and inspiration of a book-lined historic ranch, set on the banks of the South Platte River, and surrounded on all sides by a high mountain landscape, with some peaks rising to over 14,000 feet.

I admire this kind of curatorial vision, and I like to think of a point in the future of libraries when this is the core of what most librarians do. In the Land Library, it’s situating research materials about the land in a site that is proximate to or integrated with the land itself. More generally, it’s understanding a particular research and creative process, so that materials relevant to that process can be optimally arranged in space and time. This curatorial approach to libraries is not revolutionary, but developmental. It builds on the outcomes of the existing model of collection development, which collocated researchers with the largest-attainable quantity of the highest-attainable quantity of resources.

Call it the collecting library, a solution to the information scarcity problem. The curatorial library is an adaptive reuse of that architecture to provide a solution to the attention scarcity problem.

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Endangered Species and Dangerous Metaphors

I gave a short presentation for the ALA Midwinter 2015 Print Archive Network Forum delving into the “endangered species” question for monographs. While the talk was light on formulas and specifics, it expands on some of the work from the UCLA scarcity case study that I worked on with Dawn Aveline and Annie Peterson, and continues to argue two main ideas:

One, that we ought to base the print archive network on local/regional efforts, and not attempt to prescribe a national plan. The national work is net-work: a system to monitor for risk and optimize traffic across sub-nets and nodes. We need some national-level mechanism to alert, convene, and coordinate, but a diversity of localized business models and operational approaches in active conversation is the way to develop to good practices and sustainable programs.

Second, that we need to pace the print archiving effort so that we first address the areas of the collection that both have massive overstock and very low incidence of artifactual or para-textual value. This lets us solve the most pressing resource issues while also buying time to develop the right methods for protecting scarcely-held works and identifying specific books that have material culture value.

What follows is not a verbatim transcript and is a little more expansive than the remarks I made at PAN. The live conversation and session timing called for a few cuts and quips, day-of, but here are the slides (PowerPoint Slide Show: ALAMW2015-PAN-Nadal-Compact) and notes I spoke from:

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Getting involved in PARS

As ALA Annual Vegas recedes into a hazy memory, and with a fresh round of Committee assignments starting and new guidance from PARS-Exec about expectations for Interest Group and Conference participation, I’ve had a few questions from people about how to get involved in PARS.

First off, let me say thank you, bravo, and encore. We need new people to take up the work of the Association, because some of us are more than ready for a little break, plus you seem to have energy, ambition, and good ideas. If you’re wavering, wondering what you might be signing on for, and what you’ll get out of it, let me give it to you plainly:

  • PARS is a friendly group of people.
  • PARS is a small Section of ALA, so we often have room for people who want to get involved.
  • PARS gets a pretty high amount of stuff done, pretty quickly.
  • PARS develops and promotes standards and practices that see actual use.
  • PARS does not get everything done, nor does it do everything quickly.
  • PARS pulls off some big things, Preservation Week, for example.
  • PARS knows more about inherent vice than any other Section of ALA.

Now let me make that all a little murky.

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FRBR Group 1 as a Preservation Administration Framework

I gave a talk on using FRBR group 1 entities as a framework for preservation administration at the FRBR Interest Group during the ALA Annual 2014 conference [Las Vegas, NV; Friday, June 2; 10:30 am PT]. This talk proposed a way of using FRBR to coordinate preservation effort across library networks and to clarify the goals and expected outcomes of preservation and conservation efforts. Special attention was paid to two areas where frameworks for this kind of coordination are urgently needed: managing regional print archives and understanding the role of digitization in preservation management. The slides (download ppsx) and transcript (below) should give a good sense of how this works, and an article that expands on this talk is on its way to Library Resources and Technical Services for review.

The majority of this talk focuses on aligning FRBR group 1 entities with areas of preservation administration, but there are brief remarks on two other frameworks that I’m working on: evaluating scarcity in print collections and describing the focal points for preservation interventions on information carriers. (There’s some clunky language in that last clause, I know. I find these frameworks useful, but I’m still a long way from being able to convey them with any elegance.) These models support the particular use-cases I discussed  in the talk, print archives and reformatting, but they are concepts I have found useful in many other areas, and I use them both in teaching preservation and evaluating preservation strategies.

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Regional Print Management: Discovery to Delivery

On March 27, 2014, I spoke at an OCLC Symposium, “Regional Print Management: Right-Scaling Solutions“. The talk was recorded and can be viewed on OCLC Research YouTube Channel.  I discussed the development of ReCAP and an investigation of strategies and technologies for sharing collections that was funded by teh Andrew W. Mellon Foundation. That work is detailed in a report available from ReCAP. The project explored policies, workflows, and technologies require to reposition ReCAP from being three collections sharing a facility into a shared collection, developed and operated by three partners.

Forthcoming Chapter on Print and Digital Preservation

I have a chapter scheduled for a forthcoming book entitled Rethinking Collection Development and Management, edited by Christine Copp Avery. I’m writing on the ways that print and digital preservation intersect and while there is probably a whole monograph to be written on that topic alone, here’s the current version of the chapter for your review and comment until I get around to that. I’ll replace this with the pre-print and the final version as the work moves towards publication: Print and Digital Preservation.